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Dora the ExplorerÀ is a highly successful animated program on Nickelodeon; its title character has captured the imaginations of children across the globe. This study examined Dora within the framework of Gramsci’s hegemony, exploring how the program is changing the “faceÀ of children’s television while giving power to three traditionally powerless groups: preschoolers, girls, and Latinas. Two episodes of the program were analyzed: “Dora Saves the PrinceÀ and “Dora’s Fairytale Adventure.À At first blush, the two episodes appeared to be polar opposite portrayals of Dora (the savior vs. the damsel in distress); however, she ultimately functions as the heroine of both stories. The analysis revealed that Dora represents a Latina “anti-Barbie,À empowering young girls while using her “magicÀ Spanish words to save the day. In addition, Dora’s direct gaze and her pleas for help from the viewers give power to her biggest fans: the preschool audience.
Publisher: Paper presented at the annual meeting of the Association for Education in Journalism and Mass Communication, The Renaissance, Washington, DC, Aug 08, 2007
Year of Publication: 2007
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