SHARE:
The aim of this presentation is to reflect on the linkages between the popular, the personal and the political. I do this through interrogating the ways that compulsory heteropatriarchy establishes women’s representation as hyperheterosexual for an unnamed and unmarked, but clearly, masculine audience in a select group of mainstream magazines. Using a feminist methodology foregrounding the intersectionalities between gender, race and sexuality, I argue that hyperheterofeminine performances are racialised with few exceptions, white femininities are presented as normative, and black femininities as ‘other’ and exotic. If heteronormativity and white normalcy determines women’s representation in the media, a space which relies on repetition in order to establish normativity in the popular imagination, then the struggle for women’s bodily integrity, freedom and equality, needs to be more aggressively pursued in the current South African climate.
Publisher: Unpublished paper presented to Rosa Luxembourg Annual Seminar, The Institute of Social and Economic Research (ISER), Rhodes University,
Year of Publication: 1970
Comment on Unnamed men and available women: connecting the popular, the personal and the political in racialised hyperheterosexual representations of women in South African magazines. (