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On the last day of the year 2008, we sat previewing a wedding video I had made for my fiancée’s brother, Martin, who was leaving with his bride Sally for South Africa a few days later. Like bad movie editors, we constantly switched from footage of elegant Maasai dancers from the bride’s family and Gikuyu dancers from the grooms family, to television news of paramilitary police in their jungle fatigues keeping rowdy crowds from the Electoral Commissioners of Kenya announcing the election results.
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